
Basquiat’s Undiscovered Genius
by Martheaus Perkins
To the Black men dead at 27, my soul brothers all the way. i had some money, made
the best paintings. was completely reclusive, worked a lot, took a lot of drugs. i was
awful to people.
My crooked body = a suspended explosion of cherries and pomegranates
by the time those spiders were done chowing.
To punks tagging my crown on melting tapioca brick pinked and peeled by pollution
i love you. i want to laugh with you as our TEETH turn blue
To Jay Z and the LilyWhites (band name) auctioning my cobwebs for millions, give
them back to Brooklyn to her park benches i slept on when i was 19
before they laid the anti-homeless spikes
Or give them to my ex Suzanne she’ll know the whats what
Leafless trees look indecisive from here = which direction to die in? Leafless wood
branches like our hair
Insects scratch their backs against blades of ryegrass
playful brush i remember praying between her legs, her heels hovering
my shoulder blades in a delicate
ugly.
One interviewer compliments my “primal expressions”
Pond leaves float flat like sliced fruits a ruffle-damp dress dissolving.
She broke up with me, so i coated her paintings tar the top of a moon pie cookie
i should’ve drawn more pigs blushing at scooped up Latin folk
cops are a whole new landscape of asshole.
irony of an unmasked government goon.
with my dead-made millions should’ve crashed
a slaveship into a freemason AA meeting
What do you think about politics, young family plucking yellow irises from the koi?
[“ © ”]. Thought so.
At 25, dress zippers catch on skin = roots you in place
like an ape
Another interviewer. this time i “must mix poverty into the paint vat.”
For only $60,000 a month you can rent Basquiat’s Final
New York Apartment and Studio.
Cried a Nile on her
lap after i ran out of things to buy. Hated
myself too much. loved myself too much. Thought Earth was pining for more martyrs
but it’s overflowing
_he/it/i_ wants to draw like a child but not love myself like one
Built imaginary castle walls around joy to sit outside and stare through the cracks
pushing my eyeballs in like quarters slotted through a gumball machine
Silence. The LilyWhites are coming to a decision. Are you or are you not
our undiscovered genius of the mississippi delta Griot blues
-man who saw “number twenty seven” coming
i never found a way to sleep with myself
Auntie Conjure
by Martheaus PerkinsYour nephew finds Nat Turner hiding in the backyard,
hymning below his climbing tree. For safekeeping, he
builds Uncle Nat a cardboard fort, brings flashlights for
ghost stories. For food, they plant rhubarb and
cantaloupe. They’ll never get to harvest. It would’ve
tasted like Blues. No, it would’ve tasted like an Alliyah
record humming over a Black baby’s crib. This is a
coming-of-age story. Your nephew loves asking
questions. What grows a boy into a boogeyman? When
were you hungriest for a dead master? You try. You
truly try to answer them all, but there’s so little lifetime
to teach living. Go ahead, Auntie. Stuff your mojo bags.
Print your tiny witnessings from the Fujifilm
one-time-use camera. Buy your nephew those comics
where heroes are bulletproof and villains aren’t. Pray he
won’t get wrong ideas. Tonight, they fall asleep on
grassbeds, beneath vultures as plentiful as moonlight. If
time is flying, which direction are the wind currents? It
seems like only two Thanksgivings ago, they were
playing in a sand pit with a Tonka trunk. Nat was once
your nephew. Denmark Vesey, Gabriel Prosser, and
Malcolm X once walked up and down your street,
throwing the party snaps you gave them. Yesterdays ago,
it was Assata Shakur and Angela Davis tapping on your
hip, asking for 75 cents to go down to the Candy Lady.
Your throat dries saying all their names before bedtime.
“Please,” you say, “someone look out for my nephew
and my other nephew and my niece and my goddaughter
and my son and my daughter and her daughter and my
neighbor’s child.” You knock on wood after you conjure
each one of our futures. You knock and knock and knock.
Martheaus Perkins is a first-generation college graduate and son of a single Black mother. He is the author of The Grace of Black Mothers (Trio House Press). His writing has appeared in BWR, diode, Obsidian, Mizna, and Beloit. The name "Martheaus" is a collection of each woman who raised him: “Mar-” was his grandmother, “-Thea-” is his mother, and “-us” represents the aunties who created the name. Find him at martheausperkins.com.
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